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2008 Alice Parker Award Winner

The Monmouth Civic Chorus
Dr. Mark Shapiro, Artistic Director
Close to Perfect, Close to Home


Three Diamonds Three Diamonds

Three Choral Diamonds
in honor of our 60th season

Sunday, May 3, 2009, 4:00 pm
at the Count Basie Theatre, Red Bank NJ

On the Program

 

The First Walpurgis-Night
Felix Mendelssohn

WalpurgisnachtIt could be described as a 19th-century ''Rite of Spring.'' A little- known gem from this well- known composer, his brief cantata is a delightful setting of a Goethe poem that retells a quirky confrontation between Druids and Christians. The atmosphere is right out of Harry Potter or the Brothers Grimm. Mysterious creatures haunt the woods; lightning flashes; who will prevail?

Sphaera
Guillaume Connesson

Guillaume ConnessonMCC proudly presents the US premiere of a major work by this important emerging composer. He tells us that "With Sphaera, I wanted to continue my exploration of ancient languages, previously undertaken in my oratorio Athanor, this time using the Latin poetry of the 17th century poet Richard Crashaw.  This English poet managed to create an extraordinary neo-Latin description of the cosmic sphere, embracing the totality of the universe, while also reflecting the vastness of empty space.  Crashaw deploys classic stylistic procedures (anaphora, epiphora, parallelism, antithesis) to achieve an intoxicating play of verbal sound."

Stabat Mater
Karol Szymanowski

Karol SzymanowskiLike his contemporaries Debussy, Puccini, and Rachmaninoff, the Polish master devoted his life to finding new possibilities in the best-loved techniques of the classical tradition.  The result is a ravishing musical synthesis of folk and classical styles, a gorgeously appealing, communicative and fresh-sounding sonic tapestry of melodies and chords.  Szymanowski's Stabat Mater is his masterpiece: a songful, passionate outpouring of religious feeling that melds the haunting chant of Slavic church music with the harmonic sensuousness of impressionism.

This program is funded in part by The French-American Fund for Contemporary Music, a program of the French American Cultural Exchange (FACE) with support from Cultural Services of the French Embassy, CulturesFrance, Société des Auteurs, Compositeurs et Éditeurs de Musique (SACEM) and the Florence Gould Foundation.